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From Palace to Parlour: A Celebration of 19th-Century British Glass

Thursday 21 August – Sunday 26 October 2003

This stunning exhibition will celebrate the extraordinary diversity of 19th-century British glass. The fascinating story of its evolution and achievements will be told through a dazzling succession of outstanding examples. Elaborate and sumptuous Regency cut glass tablewares from the turn of the century will include the Perrin Geddes & Co service made for the Prince of Wales. The multitude of new manufacturing and decorative techniques pioneered by glassmakers from Stourbridge, London and the North East will all be represented, from the dizzy heights exemplified by the rediscovery of the ancient Roman art of cameo engraving, which spawned a new luxury industry, to the introduction of mould-pressed glass for the masses, with its multiplicity of shapes, colours and commemoratives. Intricate wheel-engraving and deep intaglio cutting brought clear glass back into fashion in the latter part of the century, as typified by the Copeland Vase. The loan of this vase from the Victoria and Albert Museum is especially exciting, since Sir Richard Wallace acquired it at the Vienna Universal Exhibition of 1873. This exhibition, curated by The Glass Circle, will also provide a rare opportunity to see many pieces which are being lent by its members.

 

The exhibition has been scheduled to coincide with the 16th annual congress of the International Association for the History of Glass, which will be held in London from 8 to 13 September 2003. Further details about the congress and the International Association for the History of Glass can be found on www.historyofglass.org.uk and www.aihv.org.

 

The Glass Circle is curating this exhibition. Their website can be found at: home.freeuk.com/glasscircle/


'Gold enamel' reverse decorated armorial plate from the Royal Service of Queen Victoria. Probably made by Thomas Hawkes, Dudley, circa 1837. Diameter 18.3 cm. Private Collection. Photograph courtesy of Sotheby's.
Mould-pressed flint glass comport inscribed ‘Richard Wallace’. Made at Henry Greener’s Wear Flint Glass Works, Sunderland, probably in the early 1870s, when Wallace’s fame as a modest and charming philanthropist was at its height. Library of the Wallace Collection.

The Copeland Vase, engraved by Paul Oppitz for W. T. Copeland and Sons, 1872-73. The vase was acquired by Sir Richard Wallace at the Vienna Exhibition in 1873. Victoria and Albert Museum (accession number CIRC.15-1961). Copyright: Victoria and Albert Museum Picture Library.